Originally from Manchester, England and now based in California, Cath Brittan is a seasoned producer with an expansive portfolio across opera, multimedia performance, and symphonic works.

Recent and upcoming productions include:

• Aci, Galatea e Polifemo (dir. Christopher Alden)
• Messiaen’s Des Canyons aux étoiles (with Deborah O’Grady)
• Glass Handel (2018 & 2019, BBC Proms 2022)
• Bandwagon (New York Philharmonic)
• Amadigi di Gaula (dir. Louisa Muller)
• SoundBox (2018/19 and 2019/20 seasons, San Francisco Symphony)
• Orphic Moments (dir. Zack Winokur)
• Perle Noir (Tyshawn Sorey & Julia Bullock)
• Arkhipov (composer Peter Knell)
• Birds in the Moon (Mark Grey, Elkhanah Pulitzer)
• …Iphigenia (Wayne Shorter & Esperanza Spalding)
• The Hunting Gun (dir. François Girard)
• No One is Forgotten (Paola Prestini / Royce Vavrek / Shirey)
• Only an Octave Apart (dir. Zack Winokur)
• American Patriots (Yaniv Segal / Samantha Williams)
• In a Grove (Christopher Cerrone, Stephanie Fleischmann; dir. Mary Birnbaum)
• Number Our Days (Luna Pearl Woolf, David Van Taylor)
• The Secret Sharer (DNAWORKS)
• We the Messiah (Darian Dauchan, Daniel Banks)
• Kronos Quartet Triptych Project (2025–26)
• The Known Lost (Allado-McDowell, Skye, Fleischmann)
• The Comet / Poppea (George Lewis, dir. Yuval Sharon)

From 2018 to 2022, Cath served as Producer for AMOC* (American Modern Opera Company), where she was instrumental in shaping some of the most innovative work in the American operatic and new music landscape.